Samuel Barber Historical Recordings (1935-1960)

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Vanessa, Op. 32: Act I: Potage creme aux perles (Erika)
Vanessa, Op. 32: Act I: No, I cannot understand (Vanessa)
Vanessa, Op. 32: Act I: Must the winter come so soon? (Erika)
Vanessa, Op. 32: Act I: Listen! … they are here (Erika)
Vanessa, Op. 32: Act I: Do not utter a word, Anatol (Vanessa)
Vanessa, Op. 32: Act I: Yes, I believe I shall love you (Anatol)
Vanessa, Op. 32: Act I: Who are you? (Erika)
Vanessa, Op. 32: Act II: And then? (Baroness)
Vanessa, Op. 32: Act II: No, you are not as good a skater… (Vanessa)
Vanessa, Op. 32: Act II: Under the willow tree (Doctor)
Vanessa, Op. 32: Act II: Erika, I am so happy (Vanessa)
Vanessa, Op. 32: Act II: Our arms entwined
Vanessa, Op. 32: Act II: Did you hear her? (Erika)
Vanessa, Op. 32: Act II: Outside this house the world has changed (Anatol)
Vanessa, Op. 32: Act II: Orchestral Interlude - Hymn
Vanessa, Op. 32: Act III: The Count and Countess d'Albany (Baroness)
Vanessa, Op. 32: Act III: I should never have been a doctor (Doctor)
Vanessa, Op. 32: Act III: Here you are! (Vanessa)
Vanessa, Op. 32: Act III: At last I've found you (Anatol)
Vanessa, Op. 32: Act III: Nothing to worry about (Doctor)
Vanessa, Op. 32: Act III: Why did no one warn me? (Vanessa)
Vanessa, Op. 32: Act III: Why must the greatest sorrows (Vanessa)
Vanessa, Op. 32: Act III Scene 1: There, look! (Doctor)
Vanessa, Op. 32: Act III: Anatol, tell me the truth! (Vanessa)
Vanessa, Op. 32: Act IV: Take me away
Vanessa, Op. 32: Act III: Grandmother! - Yes, Erika (Erika)
Vanessa, Op. 32: Act III: Intermezzo
Vanessa, Op. 32: Act III: By the time we arrive (Anatol)
Vanessa, Op. 32: Act III: For every love there is a last farewell (Doctor)
Vanessa, Op. 32: Act III: And you, my friend (Vanessa)
Vanessa, Op. 32: Act IV: Quintet: To leave, to break
Vanessa, Op. 32: Act III: Goodbye, be happy, Aunt Vanessa (Erika)
Medea Suite, Op. 23: I. Parodos
Medea Suite, Op. 23: II. Choros: Medea and Jason - III. The Young Princess, Jason
Medea Suite, Op. 23: IV. Choros
Medea Suite, Op. 23: V. Medea
Medea Suite, Op. 23: VI. Kantikos Agonias
Medea Suite, Op. 23: VII. Exodos
Medea's Meditation and Dance of Vengeance, Op. 23a
The School for Scandal, Op. 5
Symphony No. 1, Op. 9: I. Allegro ma non troppo
Symphony No. 1, Op. 9: II. Allegro molto
Symphony No. 1, Op. 9: III. Andante tranquillo
Symphony No. 1, Op. 9: IV. Con moto
Symphony No. 1, Op. 9 (revised version): I. Allegro ma non troppo
Symphony No. 1, Op. 9 (revised version): II. Allegro molto
Symphony No. 1, Op. 9 (revised version): III. Andante tranquillo
Symphony No. 1, Op. 9 (revised version): IV. Con moto
Adagio for Strings, Op. 11
First Essay for Orchestra, Op. 12
Second Essay, Op. 17
Commando March
Symphony No. 2, Op. 19: I. Allegro ma non troppo
Symphony No. 2, Op. 19: II. Andante, un poco mosso
Symphony No. 2, Op. 19: III. Presto, senza battuta
Symphony No. 2, Op. 19 (revised version): I. Allegro ma non troppo
Symphony No. 2, Op. 19 (revised version): II. Andante, un poco mosso
Symphony No. 2, Op. 19 (revised version): III. Presto, senza battuta - Poco sostenuto - Allegro risoluto - Allegro molto
Symphony No. 2, Op. 19 (revised version)
Die natali, Op. 37
Prayers of Kierkegaard, Op. 30: No. 1. O Thou Who art unchangeable
Prayers of Kierkegaard, Op. 30: No. 2. Lord Jesus christ, who suffered all life long
Prayers of Kierkegaard, Op. 30: No. 3. Faher in Heaven, well we know that it is Thou
Prayers of Kierkegaard, Op. 30: No. 4. Father in Heaven! Hold not our sins up against us
Violin Concerto, Op. 14: I. Allegro
Violin Concerto, Op. 14: II. Andante
Violin Concerto, Op. 14: III. Presto in moto perpetuo
Violin Concerto, Op. 14 (revised version): I. Allegro
Violin Concerto, Op. 14 (revised version): II. Andante
Violin Concerto, Op. 14 (revised version): III. Presto in moto perpetuo
Capricorn Concerto, Op. 21: I. Allegro ma non troppo
Capricorn Concerto, Op. 21: II. Allegretto
Capricorn Concerto, Op. 21: III. Allegro con brio
Cello Concerto, Op. 22: I. Allegro moderato
Cello Concerto, Op. 22: II. Andante sostenuto
Cello Concerto, Op. 22: III. Molto allegro e appassionato
Spoken introduction by Orlando Cole
Cello Sonata, Op. 6: I. Allegro ma non troppo
Cello Sonata, Op. 6: II. Adagio
Cello Sonata, Op. 6: III. Allegro appassionata
String Quartet, Op. 11: I. Molto allegro e appassionato
String Quartet, Op. 11: II. Adagio
String Quartet, Op. 11: III. Molto allegro - Presto
Excursions, Op. 20: I. Un poco allegro
Excursions, Op. 20: II. In slow blues tempo
Excursions, Op. 20: III. Allegretto
Excursions, Op. 20: IV. Exuberant and joyous barn dance
Souvenirs, Op. 28 (version for piano 4 hands): I. Tempo di Waltz
Souvenirs, Op. 28 (version for piano 4 hands): II. Schottisch
Souvenirs, Op. 28 (version for piano 4 hands): III. Adagio
Souvenirs, Op. 28 (version for piano 4 hands): IV. Two-Step
Souvenirs, Op. 28 (version for piano 4 hands): V. Hesitation Tango
Souvenirs, Op. 28 (version for piano 4 hands): VI. Galop
Dover Beach, Op. 3
Knoxville: Summer of 1915, Op. 24
Knoxville: Summer of 1915, Op. 24
Knoxville: Summer of 1915, Op. 24
4 Songs, Op. 13 (text by J. Agee and F. Prokosch): No. 3. Sure on this shining night
4 Songs, Op. 13 (text by J. Agee and F. Prokosch): No. 4. Nocturne
3 Songs, Op. 10: No. 3. I hear an army
Statement by Gian Carlo Menotti
Interview with Samuel Barber by James Fassett