Ravel: Daphnis et Chloé, M. 57 (1961 Recording)
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Tracks:
- Daphnis et Chloé, M. 57: Part I: Invocation to the Nymphs
- Daphnis et Chloé, M. 57: Part I: Entrance of Daphnis and Chloé
- Daphnis et Chloé, M. 57: Part I: Dance of the Young Girls Around Daphnis
- Daphnis et Chloé, M. 57: Part I: Dorcon's Advance to Chloé
- Daphnis et Chloé, M. 57: Part I: Daphnis Reasserts His Love for Chloé. The Dorcon-Daphnis Dance Contest for a Kiss from Chloé
- Daphnis et Chloé, M. 57: Part I: Dorcon's Grotesque Dance
- Daphnis et Chloé, M. 57: Part I: The Gracious Dance of Daphnis
- Daphnis et Chloé, M. 57: Part I: The Triumph of Daphnis and the Ecstatic Union with Chloé
- Daphnis et Chloé, M. 57: Part I: Entrance of the Temptress Lyceion and Dance of Veils
- Daphnis et Chloé, M. 57: Part I: The Invasion of the Pirates and Daphnis's Unsuccessful Efforts to Save Chloé
- Daphnis et Chloé, M. 57: Part I: Invocation to Pan by the Nymphs and the Prayer of Daphnis
- Daphnis et Chloé, M. 57: Part II: Interlude
- Daphnis et Chloé, M. 57: Part II: The Orgiastic Dance of the Pirates
- Daphnis et Chloé, M. 57: Part II: Bryaxis Orders Chloé to Be Brought Forward and to Dance
- Daphnis et Chloé, M. 57: Part II: Chloé's Dance of Supplication
- Daphnis et Chloé, M. 57: Part II: Creatures of Pan Appear and Frighten the Pirates, Who Flee in Terror, Leaving Chloé Alone with a Shining Crown
- Daphnis et Chloé, M. 57: Part III: Sunrise. Daphnis Prostrate at the Grotto of the Nymphs
- Daphnis et Chloé, M. 57: Part III: Daphnis and Chloé are Reunited
- Daphnis et Chloé, M. 57: Part III: Lammon Tells How Pan Saved Chloé in Memory of His Love for the Nymph Syrinx. Daphnis and Chloè Act out the Story.
- Daphnis et Chloé, M. 57: Part III: Pan (Daphnis) Fashions a Flute from Some Reeds, on Which He Declares His Love for Syrinx (Chloé)
- Daphnis et Chloé, M. 57: Part III: Abandoning Their Roles, the Lovers Embrace and Kneel at the Altar of the Nymphs
- Daphnis et Chloé, M. 57: Part III: Girls Dressed as Bacchantes Enter with Tambourines
- Daphnis et Chloé, M. 57: Part III: Young Men Invade the Scene, and Joyous Tumult Prevails in Tribute to the Triumph of the Lovers