Leonard Bernstein conducts Bernstein
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Genres:
Artists:
Tracks:
- Overture to Candide: Allegro molto con brio
- Symphonic Dances (From "West Side Story"): I. Prologue (Allegro moderato)
- Symphonic Dances (From "West Side Story"): II. Somewhere (Adagio)
- Symphonic Dances (From "West Side Story"): III. Scherzo (Vivace leggiero)
- Symphonic Dances (From "West Side Story"): IV. Mambo (Meno presto)
- Symphonic Dances (From "West Side Story"): V. Cha-Cha, "Maria" (Andantino con grazia)
- Symphonic Dances (From "West Side Story"): VI. Meeting Scene (Meno mosso)
- Symphonic Dances (From "West Side Story"): VII. Fugue, "Cool" (Allegretto)
- Symphonic Dances (From "West Side Story"): VIII. Rumble (Molto allegro)
- Symphonic Dances (From "West Side Story"): IX. Finale (Adagio)
- Symphonic Suite (From the Film "On The Waterfront"): Andante (with dignity) - Presto barbaro Presto barbaro
- Symphonic Suite (From the Film "On The Waterfront"): Adagio - Allegro molto agitato - Alla breve (Poco più mosso) - Presto come prima
- Symphonic Suite (From the Film "On The Waterfront"): Andante largamente - More Flowing - Still More Flowing - Poco meno mosso - Lento
- Symphonic Suite (From the Film "On The Waterfront"): Moving Forward, with Warmth - Largamente - A tempo - Calmato - Andante come prima - Sempre avanti, With Intensity - Ancora più mosso
- Symphonic Suite (From the Film "On The Waterfront"): Allegro non troppo, molto marcato - Poco più sostenuto - Moving Forward - Meno mosso
- Symphonic Suite (From the Film "On The Waterfront"): A tempo
- Fancy Free Ballet: I. Enter Three Sailors
- Fancy Free Ballet: II. Scene at the Bar
- Fancy Free Ballet: III. Enter Two Girls
- Fancy Free Ballet: IV. Pas de deux
- Fancy Free Ballet: V. Competition Scene
- Fancy Free Ballet: VI. Three Dance Variations: Variation I (Galop)
- Fancy Free Ballet: Variation II (Waltz)
- Fancy Free Ballet: Variation III (Danzon)
- Fancy Free Ballet: VII. Finale
- Prelude, Fugue & Riffs: I. Prelude
- Prelude, Fugue & Riffs: II. Fugue
- Prelude, Fugue & Riffs: III. Riffs
- Dybbuk (Complete Ballet): Part I: The Community
- Dybbuk (Complete Ballet): The Fathers
- Dybbuk (Complete Ballet): Witnesses of Birth
- Dybbuk (Complete Ballet): The Children
- Dybbuk (Complete Ballet): Part II: Kabbalah: Six Variations
- Dybbuk (Complete Ballet): Part III: Witnesses of Death
- Dybbuk (Complete Ballet): Leah
- Dybbuk (Complete Ballet): Possession
- Dybbuk (Complete Ballet): Exorcism
- Dybbuk (Complete Ballet): The Community
- Serenade after Plato's "Symposium" for Solo Violin, Strings, Harp and Percussion: I. Phaedrus: Pausanias (Lento - Allegro marcato)
- Serenade after Plato's "Symposium" for Solo Violin, Strings, Harp and Percussion: II. Aristophanes (Allegretto)
- Serenade after Plato's "Symposium" for Solo Violin, Strings, Harp and Percussion: III. Erixymathus (Presto)
- Serenade after Plato's "Symposium" for Solo Violin, Strings, Harp and Percussion: IV. Agathon (Adagio)
- Serenade after Plato's "Symposium" for Solo Violin, Strings, Harp and Percussion: V. Socrates: Alcibiades (Molto tenuto - Allegro molto vivace)
- Symphony No. 1 "Jeremiah": I. Prophecy
- Symphony No. 1 "Jeremiah": II. Profanation
- Symphony No. 1 "Jeremiah": III. Lamentation
- On the Town: The Great Lover
- On the Town: Lonely Town. Pas de deux
- On the Town: Times Square, 1944
- Symphony No. 2 "The Age of Anxiety": Pt. 1a, The Prologue. Lento moderato
- Symphony No. 2 "The Age of Anxiety": Pt. 1b, The Seven Ages. Variations 1 - 7
- Symphony No. 2 "The Age of Anxiety": Pt. 1c, The Seven Stages. Variations 8 - 14
- Symphony No. 2 "The Age of Anxiety": Pt. 2a, The Dirge. Largo
- Symphony No. 2 "The Age of Anxiety": Pt. 2b, The Masque. Extremely Fast
- Symphony No. 2 "The Age of Anxiety": Pt. 2c, The Epilogue. L'istesso tempo
- Symphony No. 3 "Kaddish" (To the Beloved Memory of John F. Kennedy): I. Invocation
- Symphony No. 3 "Kaddish" (To the Beloved Memory of John F. Kennedy): II. Din-Torah
- Symphony No. 3 "Kaddish" (To the Beloved Memory of John F. Kennedy): III. Scherzo
- Chichester Psalms: I. Psalm 108:2 "Urah, hanevel, v'chinor!" - Psalm 100 "Hariu l'Adonai kol haarets"
- Chichester Psalms: II. Psalm 23 "Adonai ro-i, lo e?sar" - Psalm 2:1-4 "Lamah rag'shu goyim"
- Chichester Psalms: III. Psalm 131 "Adonai, Adonai" - Psalm 133:1 "Hineh mah tov"
- I Hate Music: No. 1, My Name Is Barbara
- I Hate Music: No. 2, Jupiter Has Seven Moons
- I Hate Music: No. 3, I Hate Music!
- I Hate Music: No. 4, A Big Indian and a Little Indian (Riddle Song)
- I Hate Music: No. 5, I'm a Person Too
- La bonne cuisine (Four Recipes): No. 1, Plum Pudding
- La bonne cuisine (Four Recipes): No. 2, Queues de boeuf
- La bonne cuisine (Four Recipes): No. 3, Tavouk guenksis
- La bonne cuisine (Four Recipes): No. 4, Civet à toute vitesse
- Trouble in Tahiti - An Opera in Seven Scenes: Prelude
- Trouble in Tahiti - An Opera in Seven Scenes: Scene I: "How could you say the thing that you did"
- Trouble in Tahiti - An Opera in Seven Scenes: Scene II: "Yes? Oh, Mister Partridge!"
- Trouble in Tahiti - An Opera in Seven Scenes: Scene III: "I was standing in a garden!"
- Trouble in Tahiti - An Opera in Seven Scenes: Scene IIIa: "Then desire took hold inside me"
- Trouble in Tahiti - An Opera in Seven Scenes: Scene IIIa: "Then desire took hold inside me"
- Trouble in Tahiti - An Opera in Seven Scenes: Interlude:"Skid a lit day"
- Trouble in Tahiti - An Opera in Seven Scenes: Scene V:"There's a law"
- Trouble in Tahiti - An Opera in Seven Scenes: Scene VI:"What a movie!"
- Trouble in Tahiti - An Opera in Seven Scenes: Scene VIa:"There's a law that a man has to pay for what he gets"
- Trouble in Tahiti - An Opera in Seven Scenes: Scene VII:"Evenin' shadows are spreadin' softly"
- Facsimile - Choreographic Essay for Orchestra: Part I - Molto Adagio
- Facsimile - Choreographic Essay for Orchestra: Part II - Allegretto
- Mass A Theatre Piece for Singers, Players and Dancers I: I. Devotions before Mass: 1. Antiphon: Kyrie eleison
- Mass A Theatre Piece for Singers, Players and Dancers I: 2. Hymn and Psalm: "A Simple Song"
- Mass A Theatre Piece for Singers, Players and Dancers I: 3. Responsory: Alleluia
- Mass A Theatre Piece for Singers, Players and Dancers I: II. First Introit (Rondo): 1. Prefatory Prayers
- Mass A Theatre Piece for Singers, Players and Dancers I: 2. Thrice-Triple Canon: Dominus vobiscum
- Mass A Theatre Piece for Singers, Players and Dancers I: III. Second Introit: 1. In nomine Patris
- Mass A Theatre Piece for Singers, Players and Dancers I: 2. Prayer for the congregation (Chorale: "Almighty Father")
- Mass A Theatre Piece for Singers, Players and Dancers I: 3. Epiphany
- Mass A Theatre Piece for Singers, Players and Dancers I: IV. Confession: 1. Confiteor
- Mass A Theatre Piece for Singers, Players and Dancers I: 2. Trope: "I Don't Know"
- Mass A Theatre Piece for Singers, Players and Dancers I: 3. Trope: "Easy"
- Mass A Theatre Piece for Singers, Players and Dancers I: V. Meditation No. 1
- Mass A Theatre Piece for Singers, Players and Dancers I: VI. Gloria: 1. Gloria tibi
- Mass A Theatre Piece for Singers, Players and Dancers I: 2. Gloria in excelsis
- Mass A Theatre Piece for Singers, Players and Dancers I: 3. Trope: "Half of the People"
- Mass A Theatre Piece for Singers, Players and Dancers I: 4. Trope: "Thank You"
- Mass A Theatre Piece for Singers, Players and Dancers I: VII. Meditation No. 2
- Mass A Theatre Piece for Singers, Players and Dancers I: VIII. Epistle: "The Word of the Lord"
- Mass A Theatre Piece for Singers, Players and Dancers I: IX. Gospel-Sermon: "God Said"
- Mass A Theatre Piece for Singers, Players and Dancers I: X. Credo: 1. Credo in unum Deum
- Mass A Theatre Piece for Singers, Players and Dancers I: 2. Trope: "Non Credo"
- Mass A Theatre Piece for Singers, Players and Dancers I: 3. Trope: "Hurry"
- Mass A Theatre Piece for Singers, Players and Dancers I: 4. Trope: "World Without End"
- Mass A Theatre Piece for Singers, Players and Dancers I: 5. Trope: "I Believe in God"
- Mass A Theatre Piece for Singers, Players and Dancers I: XI. Meditation No. 3 (De profundis, part 1)
- Mass A Theatre Piece for Singers, Players and Dancers I: XII. Offertory (De profundis, part 2)
- Mass A Theatre Piece for Singers, Players and Dancers I: XIII. The Lord's Prayer: 1. Our Father...
- Mass A Theatre Piece for Singers, Players and Dancers I: 2. Trope: "I Go On"
- Mass A Theatre Piece for Singers, Players and Dancers I: XIV. Sanctus
- Mass A Theatre Piece for Singers, Players and Dancers I: XV. Agnus Dei
- Mass A Theatre Piece for Singers, Players and Dancers I: XVI. Fraction: "Things Get Broken"
- Mass A Theatre Piece for Singers, Players and Dancers I: XVII. Pax: Communion ("Secret Songs")