Szymanowski

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Piesni ksiezniczki z basni, Op.31 (Songs of a Fairy-Tale Princess): I. Samotny ksiezyc - The lonely moon
Piesni ksiezniczki z basni, Op.31 (Songs of a Fairy-Tale Princess): II. The nightingale
Piesni ksiezniczki z basni, Op.31 (Songs of a Fairy-Tale Princess): III. Taniec - Dance
Harnasie, Op.55 (Ballet pantomime in two tableaux), Obraz I: Na hali - Tableau I: In the mountain pasture: I. Redyk: Driving the sheep
Harnasie, Op.55 (Ballet pantomime in two tableaux), Obraz I: Na hali - Tableau I: In the mountain pasture: II. Scena mimiczna (zaloty) - Mimed scene (courtship)
Harnasie, Op.55 (Ballet pantomime in two tableaux), Obraz I: Na hali - Tableau I: In the mountain pasture: III. Marsz zbójnicki - The tatra robbers' march
Harnasie, Op.55 (Ballet pantomime in two tableaux), Obraz I: Na hali - Tableau I: In the mountain pasture: IV. Scena mimiczna (Harnas i Dziewczyna) - Mimed scene (The Harnas and the girl)
Harnasie, Op.55 (Ballet pantomime in two tableaux), Obraz I: Na hali - Tableau I: In the mountain pasture: V. Taniec zbójnicki. Final - The tatra robbers' dance. Finale
Harnasie, Op.55 (Ballet pantomime in two tableaux), Obraz II: W karczmie - Tableau II: In the inn: VIa. Wesele - The wedding
Harnasie, Op.55 (Ballet pantomime in two tableaux), Obraz II: W karczmie - Tableau II: In the inn: VIb. Cepiny - Entry of the bride
Harnasie, Op.55 (Ballet pantomime in two tableaux), Obraz II: W karczmie - Tableau II: In the inn: VIc. Piesn siuhajów - Drinking song
Harnasie, Op.55 (Ballet pantomime in two tableaux), Obraz II: W karczmie - Tableau II: In the inn: VII. Taniec góralski - The tatra highlanders' dance
Harnasie, Op.55 (Ballet pantomime in two tableaux), Obraz II: W karczmie - Tableau II: In the inn: VIII. Napad harnasiów. Taniec - Raid of the Harnasie. Dance
Harnasie, Op.55 (Ballet pantomime in two tableaux), Obraz II: W karczmie - Tableau II: In the inn: IX. Epilog - Epilogue
Pesni milosne Hafiza, Op.26 (Love songs of Hafiz): Zyczenia - Desires
Pesni milosne Hafiza, Op.26 (Love songs of Hafiz): Zakochany wiatr - The infatuated East wind
Pesni milosne Hafiza, Op.26 (Love songs of Hafiz): Taniec - Dance
Pesni milosne Hafiza, Op.26 (Love songs of Hafiz): Serca mego perly - Pearls of my soul
Pesni milosne Hafiza, Op.26 (Love songs of Hafiz): Wieczna mlodosc - Eternal youth
Pesni milosne Hafiza, Op.26 (Love songs of Hafiz): Glos twój - Your voice
Pesni milosne Hafiza, Op.26 (Love songs of Hafiz): Piesn pijacka - Drinking song
Pesni milosne Hafiza, Op.26 (Love songs of Hafiz): Grób Hafiza - Hafiz' Grave
Violin Concerto No. 1, Op.35: Vivace assai - Tempo comodo: andantino - Subito vivace assai -
Violin Concerto No. 1, Op.35: Vivace scherzando (Fig. 52) - Tempo comodo: allegretto - Vivace -
Violin Concerto No. 1, Op.35: Cadenza (Vivace) - Allegro moderato - Lento assai
Violin Concerto No. 2, Op.61: Moderato - Andante sostenuto - Tempo I - Cadenza -
Violin Concerto No. 2, Op.61: Allegramente, molto energico (Fig. 26) -
Violin Concerto No. 2, Op.61: Andantino molto tranquillo (Fig. 40) -Tempo I (Allegramente, animato)
Szymanowski: Symphony No. 4, Op. 60 "Sinfonia Concertante": I. Moderato, Tempo comodo
Szymanowski: Symphony No. 4, Op. 60 "Sinfonia Concertante": II. Andante molto sostenuto
Szymanowski: Symphony No. 4, Op. 60 "Sinfonia Concertante": III. Allegro non troppo, ma agitato ad ausioso
King Roger: Hagios! Hagios! (Chorus/Youth Chorus/Archbishop)
King Roger: Boze poblogoslaw (Chorus/Youth Chorus/Solo Tenor/Archbishop/Deaconess)
King Roger: Czys slyszal? (King Roger/Edrisi/Archbishop/Chorus/Deaconess/Roxana/Youth Chorus)
King Roger: Oto bluznierca! (Chorus/King Roger/Shepherd/Deaconess/Archbishop/Roxana)
King Roger: Mój Bóg jest piekny (Shepherd/Chorus)
King Roger: Wjego usmiechu! (Roxana/King Roger/Shepherd/Deaconess/Archbishop/Edrisi)
King Roger: Niech odejdzie Pasterz (King Roger/Chorus/Roxana/Shepherd/Solo Tenor)
King Roger: Start
King Roger: Niepokój bladych gwiazd (King Roger/Chorus/Edrisi)
King Roger: A/Roxana! jej spiew! (King Roger/Roxana/Edrisi/Chorus)
King Roger: Ktos mglisty przeszedl (King Roger/Edrisi/Chorus/Shepherd)
King Roger: Vivace. Allegramente. - O przychodze sam (Shepherd/King Roger)
King Roger: A A uspij swoj lek (Roxana/Shepherd/King Roger/Edrisi)
King Roger: Tajemmych glebin (Shepherd)
King Roger: Shepherd's Dance
King Roger: Roxana's entrance - W Radosnym (Chorus/Roxana/Shepherd/King Roger)
King Roger: Kto smie mój czar (Shepherd/Roxana/Chorus)
King Roger: Sluchajcie (Shepherd/Roxana/Chorus/King Roger/Edrisi)
King Roger: Appendix: Roxana's Aria [with concert ending] - A/Roxana! jej spiew! (King Roger/Roxana/Edrisi/Chorus)
King Roger: Start (introduction)
King Roger: Wokól martwota (King Roger/Edrisi)
King Roger: Rogerze! Rogerze! (Roxana/Edrisi/King Roger/Chorus/Solo Soprano/Solo Soprano)
King Roger: Nasad, nasad (Chorus/King Roger/Shepherd/Edrisi/Roxana)
King Roger: Syc ofiarny wartky plomien! (Roxana/King Roger/Shepherd/Chorus/Edrisi)
King Roger: Edrisi, juz swit! (King Roger)
Szymanowski: King Roger, Op. 46, Act 3: "Edrisi, juz swit! … Slonce! Slonce!" (King Roger)
Szymanowski: Stabat Mater, Op. 53: I. Stala Matka bolejaca
Stabat Mater, Op.53: II. I któz widzac tak cierpiaca (Quis est homo qui non fleret)
Stabat Mater, Op.53: III. O Matko, zródlo wszechmilosci (Eia Mater, fons amoris)
Stabat Mater, Op.53: IV. Spraw, niech placze z Toba razem (Fac me tecum pie flere)
Stabat Mater, Op.53: V. Panno slodka racz mozolem (Virgo virginum praeclare)
Stabat Mater Op. 53: VI. Chrystus niech mi bedzie grodem (Christe, cum sit hinc exire)
Litania do Marii Panny, Op.59: I. Dwunastodzwieczna cytaro
Litania do Marii Panny, Op.59: II. Jak krzak skarlaly
Symphony No. 3, Op.27 'Song of the Night' (Piesn o nocy): I. Moderato assai (O, nie spij, druhu, nocy tej!) -
Symphony No. 3, Op.27 'Song of the Night' (Piesn o nocy): II. Vivace, scherzando
Symphony No. 3, Op.27 'Song of the Night' (Piesn o nocy): III. Largo (Jak cicho. Inni spia...)