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Liszt - The Organ Composer

Popularity: 7
Genres:

Artists:

• Franz Liszt
• Anna-Victoria Baltrusch

Tracks:

• Prelude and Fugue on the name B-A-C-H, S. 260: I. Prelude
• Prelude and Fugue on the name B-A-C-H, S. 260: II. Fugue: Andante
• Prelude and Fugue on the name B-A-C-H, S. 260: III. Fugue: Allegro
• Prelude and Fugue on the name B-A-C-H, S. 260: IV. Fugue: Maestoso
• Fantasia and Fugue on the choral "Ad nos, ad salutarem undam", S. 259: I. Moderato
• Fantasia and Fugue on the choral "Ad nos, ad salutarem undam", S. 259: II. Animando poco a poco (A Capriccio)
• Fantasia and Fugue on the choral "Ad nos, ad salutarem undam", S. 259: III. Vivace
• Fantasia and Fugue on the choral "Ad nos, ad salutarem undam", S. 259: IV. Recitativo
• Fantasia and Fugue on the choral "Ad nos, ad salutarem undam", S. 259: V. Adagio
• Fantasia and Fugue on the choral "Ad nos, ad salutarem undam", S. 259: VI. Un poco più di Moto
• Fantasia and Fugue on the choral "Ad nos, ad salutarem undam", S. 259: VII. Adagio
• Fantasia and Fugue on the choral "Ad nos, ad salutarem undam", S. 259: VIII. Allegro Deciso
• Fantasia and Fugue on the choral "Ad nos, ad salutarem undam", S. 259: IX. Fuga. Allegretto con Moto
• Fantasia and Fugue on the choral "Ad nos, ad salutarem undam", S. 259: X. Allegro con Brio
• Fantasia and Fugue on the choral "Ad nos, ad salutarem undam", S. 259: XI. Vivace Molto
• Fantasia and Fugue on the choral "Ad nos, ad salutarem undam", S. 259: XII. Più Mosso
• Fantasia and Fugue on the choral "Ad nos, ad salutarem undam", S. 259: XIII. Choral (Adagio)
• Totentanz. Paraphrase on the 'Dies Irae', S. 126: I. Andante - Presto
• Totentanz. Paraphrase on the 'Dies Irae', S. 126: II. Allegro
• Totentanz. Paraphrase on the 'Dies Irae', S. 126: III. Allegro Moderato
• Totentanz. Paraphrase on the 'Dies Irae', S. 126: IV. Variation 1
• Totentanz. Paraphrase on the 'Dies Irae', S. 126: V. Variation 2
• Totentanz. Paraphrase on the 'Dies Irae', S. 126: VI. Variation 3
• Totentanz. Paraphrase on the 'Dies Irae', S. 126: VII. Variation 4
• Totentanz. Paraphrase on the 'Dies Irae', S. 126: VIII. Variation 5
• Totentanz. Paraphrase on the 'Dies Irae', S. 126: IX. Cadenza
• Totentanz. Paraphrase on the 'Dies Irae', S. 126: X. Sempre allegro, ma non Troppo
• Totentanz. Paraphrase on the 'Dies Irae', S. 126: XI. Allegretto Scherzando
• Totentanz. Paraphrase on the 'Dies Irae', S. 126: XII. Allegro Animato
• Weinen, Klagen, Sorgen, Zagen. Prelude after J. S. Bach, S. 179: I. Lento
• Weinen, Klagen, Sorgen, Zagen. Prelude after J. S. Bach, S. 179: II. Poco a poco accelerando e Crescendo
• Weinen, Klagen, Sorgen, Zagen. Prelude after J. S. Bach, S. 179: III. Quasi Allegro
• Weinen, Klagen, Sorgen, Zagen. Prelude after J. S. Bach, S. 179: IV. Recitativo (Lento)
• Weinen, Klagen, Sorgen, Zagen. Prelude after J. S. Bach, S. 179: V. Quasi Andante
• Weinen, Klagen, Sorgen, Zagen. Prelude after J. S. Bach, S. 179: VI. Choral (Lento)
• Preludes, Op. 28: No. 4 in E Minor (Arr. For Organ by Franz Liszt)