Great Operatic Arias, Vol. 16
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Genres:
Artists:
- Thomas Allen
- London Philharmonic Orchestra
- Janice Watson
- Geoffrey Mitchell Choir
- David Parry
- Brindley Sherratt
Tracks:
- Faust, CG 4, Act II: Even the bravest heart may swell (Avant de quitter ces lieux) (Valentin)
- The Barber of Seville, Act I: I am the barber everyone wants, I am!, "Largo al factotum" (Figaro)
- The Marriage of Figaro, K. 492, Act III: You've won the case already - Must I be made to suffer (Vedrò mentr'io sospiro) (Count Almaviva)
- Tannhäuser, WWV 70, Act III: With dark foreboding twilight casts her shadows (Wie Todesahnung) (Wolfram)
- The Queen of Spades, Op. 68, TH 10: You seem unhappy, my beloved (Yeletsky)
- Hamlet, Act II: Oh wine, deliver me from sadness, "Drinking Song" (Hamlet, Chorus)
- Luisa Miller, Act I: Stop! You shall listen - Marriage is sacred - I was right to be so suspicious (Sacra la scelta) (Miller, Wurm)
- Tannhäuser, WWV 70, Act II: Turning my gaze upon this proud assembly (Blick' ich umher) (Wolfram)
- The Pearl Fishers, GB 4, WD 13, Act III: The storm has died away (L'orage s'est calmé) (Zurga)
- Billy Budd, Op. 50, Act II: Look! Through the port comes the moonshine astray, "Billy in the Darbies" (Billy)
- Die Fledermaus, Act I: Though I'm somewhat out of practice, "Watch Duet" (Gabriel von Eisenstein, Rosalinde)
- The Merry Widow: Hello, here's a soldier bold, "Cavalryman Duet" (Hanna, Count Danilo)
- Carousel, Act I: I wonder what he'll think of me!, "Billy's Soliloquy" (Billy Bigelow)
- Die Tode Stadt (The Dead City), Op. 12, Act II: In visions, illusions (Mein Sehnen) (Fritz, Chorus)